An established comedy writer, Madeleine Brettingham has rapidly emerged as one of the most distinctive new voices in British stand-up.

Following an extraordinary string of competition wins including So You Think You’re Funny in 2025, her Edinburgh debut this year, Legend, played to sell-out audiences and received widespread critical acclaim.

The Scotsman described it as a “swaggeringly confident and clinically executed debut… an absolute killer onstage”, while Rolling Stone selected it as one of its 12 standout shows of the Edinburgh Fringe, saying she “deserves to rocket to stardom”.

Performance

“The kind of talent that makes you lament the imminent demise of Live at the Apollo…She is so accomplished as both a writer and performer that she absolutely deserves to rocket to stardom…such flair and exceptional joke-writing that you immediately want to fast-forward to her arena tour era” - Rolling Stone

“Lean and punchy with…nary a word wasted…you’re drawn to the brazen cheek, the legendary self-assurance of it” - The Scotsman

“This is a sold-out show… It turns out there’s a good reason for that. Simply put, Madeleine Brettingham is sensational” - Broadway Baby

“Deliciously deadpan…How can a show this good be a debut hour? Its gag rate is through the roof, the delivery sure-footed and the quality of…material sky high” -The List

"Flinty, glittering darkness… an exceptionally strong debut” - Chortle

“[An] uncompromising onyx-black debut…she’s a tremendous joke-writer and a terrific raconteur…the real deal” - The Wee Review

“An obvious star-in-the-making” - British Comedy Guide

“Surely set to strike it big” - Beyond The Joke

Praise for Legend

On screen and radio, Madeleine’s writing credits are a who’s who of British comedy: Frankie Boyle’s New World Order, Would I Lie To You?, Have I Got News For You, That Mitchell and Webb Look, Horrible Histories, and more. Frankie Boyle has called her “one of the best joke writers in comedy today.”

She’s written solo, in rooms, as lead writer, and is currently developing her own original projects.

As a guest, she’s appeared on shows and podcasts including BBC Radio Scotland’s Breaking the News and Drunk Women Solving Crime.

Broadcast

Elsewhere, her fiction and essays have appeared in The Times Literary Supplement and The Fence. In 2025, her play, Dear Martin, premiered at the Arcola Theatre, earning an Offie Assessors’ Choice. Reviews called it “a surreal thought-provoking comedy” that “bristles with verbal and visual energy.” It’s now in TV development.

Behind the scenes, she’s been a BAFTA and Writers’ Guild judge and guest lectured at the National Film & Television School.

Literary

Industry

So You Think You're Funny? — Winner, 2025

Beat the Frog World Series — Winner, 2025

Bath New Act of the Year — Winner, 2025

West End New Women Comedian — Winner, 2025

Funny Women Stage Awards — Silver, 2025

West End New Act of the Year – Silver, 2025

Comedians' Choice Awards — Best Newcomer, shortlisted, 2026

NextUp Biggest Award in Comedy — Nominee, 2026

The List Festival Awards — Best Comedy Show, longlisted, 2026

ISH Edinburgh Comedy Awards — Best Newcomer, longlisted, 2026

British Animation Awards — Writers Award nominee, 2022

Funny Women - TV Best Comedy Writer Finalist, 2020

Awards & recognition

Stand-up clips

Radio and podcast appearances

Breaking the News, BBC Radio Scotland

The Naked Truth, Drunk Women Solving Crime

Dirty Grandpa, Smersh Pod

Switching to stand-up, Be Funny or Die

Essays and fiction

Subscribe on Substack, follow on Instagram and Bluesky.

For scriptwriting work, contact Charlene McManus at Curtis Brown.

charlene.mcmanus@curtisbrown.co.uk +44 (0)20 7393 4260

Press and promo images here.

Comedy bookers get in touch here.

For other work-related queries, message here.

Contact